Abstract

Eduardo Tresoldi has already broken through sculptors and architects, focusing his research on public art integrating landscape elements, known as the “ghost architect”.

He is good at weaving the vanished classical architecture with metal mesh. His works can harmoniously combine multiple contradictory concepts, such as tangible and intangible, industry and poetry, temporary and permanent, classical and contemporary… The structural and expressive, monolinear, and volumetric nature of the mesh itself enables it to travel across multiple dimensions.

“Safety plan for a burning house”

“From the Absent Matter to the Metaphysical Ruin”

I think it‘s a really great idea that if a vanished building is rebuilt, it will be controversial. But if it is not rebuilt, the history will forget the building. Therefore, his design will not cause too much dissatisfaction in the rebuilt style, and the empty style not only shows the existence of the building but also reflects modern technology.

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